{"id":3206,"date":"2007-11-19T19:50:59","date_gmt":"2007-11-19T18:50:59","guid":{"rendered":"http:\/\/www.stegonia.fr\/wordpress\/?p=3206"},"modified":"2007-11-19T19:50:59","modified_gmt":"2007-11-19T18:50:59","slug":"le-roitelet-huppe-un-petit-virtuose","status":"publish","type":"post","link":"https:\/\/audioblog.sonatura.com\/?p=3206","title":{"rendered":"Le Roitelet hupp\u00e9, un petit virtuose ?"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-3206-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/audioblog.sonatura.com\/wp-content\/uploads\/2021\/02\/1054_04RoiteletHuppe.mp3?_=1\" \/><a href=\"https:\/\/audioblog.sonatura.com\/wp-content\/uploads\/2021\/02\/1054_04RoiteletHuppe.mp3\">https:\/\/audioblog.sonatura.com\/wp-content\/uploads\/2021\/02\/1054_04RoiteletHuppe.mp3<\/a><\/audio>\n<p>&nbsp;&nbsp; <em>Jardin de Fl&eacute;malle, 8 avril 2000.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" alignleft size-full wp-image-3205\" src=\"https:\/\/audioblog.sonatura.com\/wp-content\/uploads\/2007\/11\/04RoiteletHuppe.jpg\" alt=\"\" align=\"left\" width=\"150\" height=\"146\" \/>&nbsp; Chez le plus petit de nos passereaux, le ramage aurait-il l&#39;&eacute;clat du plumage ? Une courte prise de son, analys&eacute;e au sonagraphe, permet d&eacute;j&agrave; de l&#39;appr&eacute;cier.<br \/> Dans la foul&eacute;e, cette s&eacute;quence illustre aussi les principales caract&eacute;ristiques du chant de l&#39;esp&egrave;ce, une phrase en trois sections :<br \/> <em>1.<\/em> la premi&egrave;re, introductive, faite de quelques &eacute;l&eacute;ments simples et espac&eacute;s (le plus souvent trois, chez cet individu);<br \/> <em>2.<\/em> la seconde &#8211; le corps de la phrase &#8211; plus audible que la premi&egrave;re, comporte un motif, souvent r&eacute;p&eacute;t&eacute;, de quatre &eacute;l&eacute;ments de diff&eacute;rentes hauteurs;<br \/> <em>3.<\/em> la troisi&egrave;me, ou la fioriture finale, varie beaucoup d&#39;une phrase &agrave; l&#39;autre et balaye une large bande de fr&eacute;quence. Variabilit&eacute; li&eacute;e &agrave; la forme des &eacute;l&eacute;ments, leur dur&eacute;e relative, leur nombre, leurs combinaisons particuli&egrave;res, voire &agrave; l&rsquo;utilisation de motifs emprunt&eacute;s &agrave; d&#39;autres esp&egrave;ces (M&eacute;sanges hupp&eacute;e et nonnette, par exemple).<\/p>\n<p> Entre ces phrases bien sp&eacute;cifiques, le roitelet peut aussi &#8211; comme dans cette prise de son &#8211; &eacute;mettre quelques cris et glisser quelques fioritures finales, ce qui donne &agrave; l&#39;ensemble l&#39;impression d&#39;un agr&eacute;able pot-pourri.<\/p>\n<p>\t <strong> &nbsp;&nbsp; &nbsp; &nbsp; Maxime METZMACHER<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp; Jardin de Fl&eacute;malle, 8 avril 2000. &nbsp; Chez le plus petit de nos passereaux, le ramage aurait-il l&#39;&eacute;clat du plumage ? Une courte prise de son, analys&eacute;e au sonagraphe, permet d&eacute;j&agrave; de l&#39;appr&eacute;cier. Dans la foul&eacute;e, cette s&eacute;quence illustre&nbsp;&hellip; <a href=\"https:\/\/audioblog.sonatura.com\/?p=3206\">finish&nbsp;reading&nbsp;Le Roitelet hupp\u00e9, un petit virtuose ?<\/a><\/p>\n","protected":false},"author":2,"featured_media":3205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[304],"tags":[],"class_list":["post-3206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-n-4-octobre-2005"],"_links":{"self":[{"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/posts\/3206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3206"}],"version-history":[{"count":0,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/posts\/3206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=\/wp\/v2\/media\/3205"}],"wp:attachment":[{"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/audioblog.sonatura.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}